Free Stuff!

So while goofing around making mouse pads and phone skins, I’ve grabbed a few extras, and now I’d like to give some away. So in anticipation for the upcoming release of the sixth Half-Orc book, The Prison of Angels, I’m giving away two mouse pads featuring the cover art, plus another featuring Darius from Clash of Faiths (see the above pic, and my apologies for shoddy quality of said pic).

So what do you do to enter? Two things. One, go here to sign up for my mailing list. I use this only for announcing new releases, so don’t fear any spam. After that, just post a comment on Facebook in thread saying, well, anything. Tell me I’m awesome, say you want a mouse pad, insult my grandma, whatever. On the November 9th I will be randomizing the three winners, and sending messages via Facebook to confirm the email address is indeed in the mailing list.

Oh, and if the winners would prefer, I can sign the mouse pad before shipping. Just to, you know, up the sexy factor.

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Co-Author?

One of the requests I’ve often received is for a series of books detailing the original Gods’ War that took place during the creation of my world of Dezrel. It’s one of those events that influences many of my books, and the religions in particular. Now I’ve generally been hesitant for several reasons. The first being that it’s yet another prequel series to the Half-Orcs. Given how that would make it prequel series number four, I really, really wanted to try moving forward instead of backwards (hence my current writing of Half-Orcs number 6). The second reason was that I didn’t think I had that interesting a story to tell. Strange, I know, given it’s a giant war between deities, but it felt too distant, felt too predictable. I wasn’t sure how I’d tell it to give it the power it deserved.

And that’s where Robert Duperre comes in. I’ve known Rob for almost three years now. I first met him when he was writing reviews for his website, Journal of Always. He did a glowing review of Weight of Blood, and it started up a conversation between us. He was great for feedback, and it seemed everything I tried to do he picked up on, sometimes even if I wasn’t aware of it (to see a great example of this, read his review of Cost of Betrayal here.

After about a year, I started relying on him to help guide me along when I hit ruts in my stories, or felt lost (Dance of Death in particular; he was a massive help in guiding that one along through multiple talks on the phone). He also gave me confidence in where I took the later two Paladin novels, reading very early copies of the novels before I ever finished. So this is someone who knew my world in and out, what I liked to accomplish, how I grew my characters, etc.

And then I mentioned co-authoring a book with him, covering the Gods’ War. His response? “I thought you’d never ask.”

He had an outline of ideas ready for me within a week, and already I could see what he would bring to the table. He was able to analyze so many little things that would come about from such a young world, incorporate the deities and their conflict into a much larger story than I originally envisioned. Most of all, it was the human element he managed to bring out, the one aspect I really needed to be excited about the project. It was all there, and it was fantastic. The go-ahead given, we began writing The Mountain Crumbles, the first of what appears to be three novels set during the time period. We’re about halfway finished with TMC, and hope to have it out before Christmas.

For anyone worried about quality, just know that I would never release a product with my name on it that I’m not proud of. I’m heavily involved in all of this, and I assure you my writing style will still be very much present throughout. I’ve got final say in pretty much everything else as well, as rare as I’ve needed to use it. But Rob’s bringing a breath of fresh air to my world, and I think everyone who’s been looking forward to this particular conflict should be very pleased. There’s a lot of homages to the later books, a lot of little connections, and a few massive reveals that should make any longtime reader of mine very, very happy.

Rob should be lurking around, so any questions/worries feel free to ask and one of us should be able to answer to the best of our abilities. And if you want to check out any of Rob’s work beforehand, I’ve included his author page on Amazon below. If you need a start, I’d go with Silas.

http://www.amazon.com/Robert-J.-Duperre/e/B003XG6JQC/

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And the next book is…

This may or may not come as a surprise, depending on how closely you’ve followed the fanpage. But just in case, I figure I’d make this official, as well as explain my reasons.

Blood of the Father is getting put on hold.

There are several reasons for this, but first, by ‘put on hold’ I mean delayed for about nine months as I write two other books. So don’t panic if you’re really eager for it. Now, as to why. Usually with a book I have an overall plan for the novel, linked together with a few key scenes I know will need to transpire. Beyond that I keep things loose, allowing myself some leeway should characters decide to misbehave (which they often do). With Blood of the Father…I have no scenes. None at all. I know what I want to accomplish, but I haven’t the slightest how I’m going to do it. This goes for nearly every major player in the story, from Haern and Thren as they go west to the Stronghold, to Zusa and Alyssa struggling to maintain control over their household, to Deathmask and Victor doing their little dance in Veldaren. It’s rare for me to have a book project before me yet feel so empty about what to do with it. That’s bad.

What’s also bad is that I couldn’t muster up excitement for it. That’s death to a book, at least for me. I know I could force myself through, and a good story would eventually come out, but the passion would be lacking from it. Anyone who’s read Broken Pieces should know what I can and do accomplish when I’m fully invested, and the passion is truly there. That’s something I really noticed working on the final two paladin books. I felt like I was writing something important, something special. I felt like I was writing a Half-Orc book.

Meanwhile, when I’m daydreaming in the shower about key scenes to the upcoming book, my mind never stayed on Blood of the Father. No, even without me realizing it I was envisioning scenes in the sixth Half-Orc book. I’ve been itching to get back to it for a while now, and as I finished up Broken Pieces I knew what I truly wanted to do. I tossed up a poll on the fanpage, and right now the desire for a new Half-Orc book is beating out Blood of the Father by more than 2 to 1. So I want to write it next, and so do the majority of my (voting) fans. So what does that mean?

The Prison of Angels, Book Six of the Half-Orc Series, is my current project, to be followed up with Book Seven. I’m already a few chapters in, and I have to tell you, I’ve really missed these two silly Tun brothers. Meanwhile I’m going to let the Watcher’s Blade Trilogy bake a little in my mind. I’ll get back to it, I assure you, but for now it’s time to go where my heart truly is. It’s time for Harruq and Qurrah to find their place in a radically changed world. I mean, you didn’t really think there’d be peace on Dezrel after the angels arrived, did you?

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Timeline

Okay, so lately I’ve been getting a lot of requests for a timeline of my work. I’m planning on making a permanent link on the website for one, but right now I’m doing a quick and dirty version. So below is a list of my books coupled with dates. These correlate to when each individual book *starts*. I’ve also included several books that I haven’t even started yet, such as the new Half-Orc books or the last of the Watcher’s Blade Trilogy.

IA stands for Idhrin en Adan, which is elvish for Year of Man.

Arrival of Man: 1 IA

Gods War: 93 IA

(Shadowdance Trilogy) – Dance of Cloaks: 579 IA

(Shadowdance Trilogy) – Dance of Blades: 584 IA

(Shadowdance Trilogy) – Dance of Death: 586 IA

(The Paladins) – Night of Wolves: 587 IA

(The Paladins) – Clash of Faiths: 587 IA

(The Watcher’s Blade) – Blood of the Underworld: 588 IA

(The Paladins) – The Old Ways: 588 IA

(The Paladins) – The Broken Pieces: 589 IA

(The Watcher’s Blade) – Blood of the Father: 589 IA

(The Watcher’s Blade) – Blood of the Innocent: 589 IA

(The Half-Orcs) – Weight of Blood: 589 IA

(The Half-Orcs) – Cost of Betrayal: 590 IA

(The Half-Orcs) – Death of Promises: 593 IA

(The Half-Orcs) – Shadows of Grace: 594 IA

(The Half-Orcs) – Sliver of Redemption: 595 IA

(The Half-Orcs) – Untitled Book 6: 600 IA

(The Half-Orcs) – Untitled Book 7: 601 IA

Something I want to emphasize is that the books were not written to be read chronologically. I’ve always tried to have them stand on their own. But for those who want to, then as a series it goes Shadowdance, Paladins, Watcher’s Blade, and finally Half-Orcs.

So for anyone confused what is happening when, this should hopefully help clear things up, if only a tiny bit.

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Quick and Dirty Formatting

I’m writing this to mainly help one person’s request on formatting their book for publication on Kindle, but I’m hoping this might be useful to a few others as well. This will be a broad, basic, step by step process to try and catch most common formatting errors. Long as nothing’s completely bizarre with your Word file, this should get a nice, clean upload.

Side note: I did all this in Word 2007. I think 2010 is very similar, though older versions might look a little different. I *think* every command I’ve given should still be easy to follow in older versions.

Oh, and I have zero experience with Macs. All of this advise is aimed at PC users. If you can somehow read and translate this so it’s useful for you as a Mac user, I’m glad, but I make no promises.

0. Before anything else: save a copy. So Book A, save as Book A Formatted. That way, if something goes horribly wrong, you still have the old, pre-formatted book.

1. First, under View, set it to Draft. This should help make sure my screen shots look similar. Also, if you’ve already added your book cover to the Word document, delete it now. Smashwords adds it manually, and I’ll show you how to correctly add it to the PRC file later in these steps (you do have a book cover, right? If not…shame!!!)

2. Select the entire document with ctrl + a. Change the font to Times New Roman. Don’t care what your personal favorite font is. Just need the document uniform, and a standard font. TNR does the trick. While you’re doing this, go ahead and set the font size to 12.

3. While everything is currently still selected, right click -> paragraph. There’s a couple things to do here. Under spacing, set ‘before’ and ‘after’ to 0 pt (do not leave them blank). Click the checkmark that says “Don’t add space between paragraphs of same style.” Set the spacing itself to Single. Hit ok.

4. Still with whole document selected, go to your ruler up at the top (if you can’t see it, go to the view tab up at the top and click the checkmark ‘ruler’ to make it visible). You should see the little marker used for indents. Drag everything all the way to the left. Then, adjusting the top triangle only (the one for First Line Indent) drag it forward about 0.2 to 0.3 inches, which forms a nice first line indent on digital devices.

 Time to remove some common problems next.

5. Hit ctrl + f to open up the Find menu, then click the Replace tab. In the find tab, type ^t while in the replace tab, leave it blank. This will delete all the manual tabs (which you should never, ever use). Hit replace all. And please, do not forget to input the ^’s.

6. Clear the find tab, and type in ^l (that’s a lower case L) in the find, and in the replace, ^p. Just trust me on this one. Hit replace all.

7. Clear the find tab, and then put in two spaces. In the replace section, hit the spacebar once. This will find any hidden sections where you accidentally hit the space bar twice while typing. Hit replace all. Hit replace all again. Next, in the find tab, type in “ .” That’s a space followed by a period (don’t type the quotation marks, just using them to help show the spaces). In the replace, type just a period. Same idea, except for accidental gaps between words and the period at the end. Hit replace all.

8. Some of you might have underlined instead of italicizing things. Well, we want them in italics now. So clear the find section, and with cursor within, hit ctrl + u. In the replace, again clear it out, put in the cursor, and hit ctrl + i. Hit replace all.

9. Moving on to ellipses. In the find, type in “…” while in the replace, this is what I want you to do. With the cursor inside, hold down your alt key on your keyboard, and then on your number pad hit in order, 0133. Let go of the alt key. Hit replace all. Now in the find, go ahead and write “. . .” while leaving the ellipses alone in the replace. Hit replace all.

10. Dashes, em dashes, all evil! Okay, in the find, type in “––”. That’s two regular dashes side by side. With cursor in the replace, hold the alt key and then on the number pad hit 0151. When you let go, you should have: — instead.  Hit replace all.

11. Still using the find/replace. We’ll do two more here, both similar. First, in the find, type in ” ^p”, and in the replace, just “^p”. Do this again with “^p “, leaving the replace part still as “^p”. This will get rid of any spaces before or after paragraph breaks, which can jack up formatting on certain devices.

12. Okay, go ahead and close the find and replace tool. We’re moving on to the next (very) common problem. Do not, under any circumstances, try to form new pages by doing anything other than hitting ctrl + enter on your keyboard. That means hitting enter six times until you saw a new page line. This is bad. So on your toolbar at the top, click the following symbol:

All right, now start scrolling through your document, specifically going to each individual chapter break. If you see the evil line of P’s, delete them, and use ctrl + enter to place in an actual page break. Note: please leave these symbols showing for the rest of your formatting experience. Thanks.

13. Let’s get chapter titles set up next to look all pretty. Go to your first chapter heading. You can have just the number, or Chapter 1, or Ch. 1, or whatever suits your fancy. Just select it, and then hit ctrl + e (the shortcut for centering). If you used tabs to center it, or hit the spacebar twenty times, Word should automatically delete them. Be thankful, because apparently this horrible instinct of writers is far more common than I’d like to believe. Now, go ahead and bold it (ctrl + b if you like shortcuts) and then change the font size from 12 to 14.

14. You should now have your chapter titles looking how you want them. With it still selected, right click -> styles -> create new quick style. Name it Chapters. If that’s taken for some reason, call it DavidChapters.

Now, start scrolling through your document. Put your cursor on every chapter heading you find, and then just click the Chapters style to apply it. While doing this: you will probably want a little bit of space between the top of the screen and the actual chapter number. The key is to be consistent, so if you want three of those paragraph symbols, make sure all have three. If you want just two, then again, check each chapter and delete/add as necessary. I wouldn’t go more than three, though, because Smashwords will get mad, plus it will cause too much white space on smaller screens.

15. Getting closer to the end. Now some clean up. Under Insert at the top, you should see both a header and a footer button. Click each one, then at the bottom you should see an option for “remove header/footer”. Click those. No need for headers/footers in the digital world.

16. Now click home so you can see your styles. Scroll through them until you find that Chapters style you made. Right click on the little style box called Chapters, then Select All. Now remember how you applied the first line indent on the ruler? Since these chapter headings are centered, we don’t want the indent, so drag the little first line indent triangle back left so its flush with the others.

17 (optional). Almost done. Now, you may not care about having this, so if you don’t, feel free to skip. I like having the first letter in a section with no indent, and slightly bolded and larger (kind of like a drop cap). This is my simple, easy/dirty method to make them. Go back up to the top of your document, and find your first paragraph in your first chapter. Select just the first letter, like so: <insert picture>. Bold it (ctrl + b), set its font size to 14. Just as before, right click on it and save it as a new style, this time called First Letter. Now the time consuming part: go through your document looking for all your section breaks and chapter breaks, highlight the first letter, and click First Letter style to apply it. Once you’ve done this, do the same as the step 13 above for Chapters to select them all and remove the first line indent.

18. Now save your document, which should look much nicer than when we started. There’s a few steps to do now, one for Smashwords if you’re distributing there, and one for Amazon.

Amazon: Click file (or the little round office button, depending on your version) -> save as -> other formats. Choose to save it was Web Page, Filtered. We’ll use this newly created HTML file in the next section below.

Smashwords: Assuming you already have a title page at the beginning of your book (and if not…why don’t you?) … anyway, go back to your title page. You need to add a few things, so it looks like below.

Title of Book

by David Authorguy

 Smashwords Edition

 Copyright 2012.

After that, time to save again. File (or office button) -> save as -> Word 97-2003 Document. Yes, Smashwords does not accept .docx files, so this is what you’ll need. Now your file might already be in doc format, but just in case, do this step anyway.

For Smashwords: you’re done. The file is ready to upload for the meatgrinder. For Kindle, however, we have a few more steps.

MOBIPOCKET CREATOR

update: October 2013: As of now, Amazon does not support the uploading of PRC files, which the following section creates. I will leave this here, but know that if you followed my above methods, directly uploading the word document will *probably* get you the best benefits.

There we go. That should help divide this section up. Okay, you need to go here: http://www.mobipocket.com/en/downloadsoft/DownloadCreator.asp and download and install Mobipocket Creator. This is the program we’ll be using for all these steps.

1. Okay, once it’s installed, run the program. You’ll get the initial start up menu. Of all these choices, you want to click, under Import From Existing File, the first option, HTML Document.

2. Next screen, you’ll need to click browse and find wherever it was you saved the Web Page, Filtered file from earlier. Select it, then click import.

3. All right, now we’ll go through the various options here. First, click cover image on the left. Add your cover image, finding wherever you have the file saved on your computer. Click update at the bottom.

4. Book settings: change Book Type from Default to eBook. Click update.

5. Metadata: this isn’t crucial, but do it anyway. Punch in your eBook title and your author name (don’t worry about the rest). Scroll down and click update.

6. Okay, now up at the top row of commands, you’ll see Build. Click that. Under the options that pop up next, leave it as no compression, no encryption. Click build. Now it’ll build it, and give you options of what to do next. Click “open folder containing ebook”. Okay, now this will show you where your PRC file is located. For convenience, you might want to just drag the PRC file onto your desktop (you can always recreate it fairly easily if need be, and once you upload the PRC file to Amazon, you can just delete it off your desktop).

7 (optional). Now, if you take the charger that came with your Kindle, pull off the electrical plug end, you’ll have a USB connector. Plug that into your PC, the other into your Kindle, and you can actually copy and paste the above PRC file onto your Kindle itself. The best thing about this is then you can unhook your Kindle, turn it on, and see *exactly* how your book will look like when it’s for sale. If this is your first time, I’d definitely click next page repeatedly to check your entire book, looking for any weird or bizarre formatting errors, hopefully which you can correct with ease.

8. Okay, that done, take that PRC file, go to Amazon, and upload the PRC directly where Amazon asks for your book content. And you’re done! Everything work out great? Then good luck, have fun.

If there’s errors, or weird complications…sorry. This guide is meant to help with the most basic  of problems, a nice guideline to get things looking sane. Sometimes, particularly if you’ve done weird formatting on your own in the past, or jacked with Styles, you can get some strange errors. So if you have a specific, and I want to emphasize that, specific problem, go to http://www.kindleboards.com/index.php/board,60.0.html, create an account, and say hello. There’s a ton of indie authors there, all who’ve formatted for Kindle, and have loads of experience. They’re on the nicer side, too. Ask your question, providing as much detail as you can about what’s going on. Odds are high your problem will be solved.

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A Video Game?

Howdy howdy, all.

So, I’m considering the possibility of using the website Kickstarter to help back a small, simple video game for the Android, iPhone, iPad, etc, based on my world and its characters. Would much appreciate anyone who could swing over to my fan page, click the questions tab, and lemme know your opinion on the matter.

Thanks all! More info on the fan page, and obviously I’ll try to get on this more and more if the interest seems significant enough.

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Guest Post: Ty Johnston

So as I’ve climbed up and down the epic fantasy rankings, I’ve noticed another dark fantasy author often attached to my own, my also-boughts, if you will. A fellow indie, it always gave me a good cheer to see him hanging around, proving I’m far from an oddball exception. Well, he’s running a blog tour from November 1 through November 30, and wanted to know if he could swing by here and yammer. More than honored to say yes. – David

——-

David Dalglish is sometimes referred to as an author of dark fantasy. On more than one occasion, the same has been said of my own writings. I don’t have a problem with the assessment, but I am often confused as to how readers come to that opinion. I am not suggesting it is a faulty opinion, but it’s not one I necessarily share.

Admittedly, bad things happen in my fantasy novels. People are killed. There are cannibals. Ghosts. Murder. Torture. Demons. A lot of these are elements that make up dark fantasy, if not out-and-out horror tales.

But, and isn’t there always a but, my way of thinking classifies dark fantasy not so much by the story elements themselves as the tone of how the story is told. Karl Edward Wagner was a dark fantasy writer. At times, Stephen King is a dark fantasy writer. F. Paul Wilson falls into this category in some of his works.

Perhaps the break in my own mind comes about because I have written a fair amount of horror, mostly in shorter forms. With horror, I try to approach each tale in a certain manner. Not only do I include dark elements, but I try to layer a darker intonation throughout the telling of each tale.

I don’t consciously do this with my fantasy writing. Maybe it is because much of my fantasy is in the novel, a longer form, which usually equates to a more mechanical style of writing from myself. I plant my butt (there’s another butt, though a different kind) in a chair and start typing.

In short stories, I generally feel much more emotional and connected to the stories. When writing a novel, I usually hold the story and the characters at more of an arm’s length relationship from myself emotionally. This is how I write. I’m not suggesting it’s the best or only way to write, but it’s what I’ve come around to.

So, when I’m called a dark fantasy writer, I’m sometimes confused. I don’t feel like a dark fantasy writer. Maybe an epic fantasy writer, or even a heroic fantasy writer from time to time, but not a dark fantasy writer.

Perhaps I’m being overly pedantic. There are no tried-and-true definitions to any of the labels given to the various genres and sub-genres of literature. Oh, I can spout off the fact Wagner and author Charles L. Grant are generally credited with coming up with the term “dark fantasy,” just as well as I can mention Fritz Leiber created the term “sword and sorcery.” But does that really mean anything? Readers and writers can use a term however they like, though not everyone will agree with their opinions. Labels are generally marketing tools, after all, and a reader will like what they like regardless.

That being said, within the ranks of fandom and readership, labels are also used to differentiate writers and stories, to let readers know that if they liked “this” writer, they might or might not also enjoy “this” writer over here. None of which helps me any. I write fantasy and horror, as well as a little science fiction, some literary works and whatever else comes to mind. I don’t mind being called a dark fantasy writer. It’s not a title I detest.

It just boggles my mind sometimes. Which is my problem, not that of others. Readers can all me whatever they want.

I just hope those readers enjoy my stories, by whatever title they give me.

—————————————– 

Ty’s novels include City of RoguesBayne’s Climb and More than Kin, all of which are available for the Kindle, the Nook, and online at Smashwords. His latest novel, Ghosts of the Asylum, will be available for e-books on November 21. To find out more, follow him at his blog tyjohnston.blogspot.com.

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Shadowdance Trilogy: Bad Guy #238

Whenever a superhero movie comes out, it’s always defined by the villain. When someone asks “which one was Batman Returns?” the easy answer is “the one with Catwoman and Penguin” (or “the one with Christopher Walken,” depending how awesome the person you’re talking to is). Well, Shadowdance isn’t exactly free of this, either. The first book was easy: it’s the one with Thren Felhorn. Perhaps not everyone’s favorite character, but personally, I had a ball. So ruthless, so cold, willing to turn even his own son into a perfect killing machine to further his aims. A Dance of Blades is a little harder. I tried something a bit different with Arthur Hadfield, a villain without any real fighting abilities, but instead relied on manipulation, deceit, and overall douchebaggery. As for the other main villain, Ghost, I don’t feel like I accomplished even a tenth of his potential. Learning from both, it’s time to introduce the main villain of A Dance of Death: the Wraith.

With someone like Haern, I need a character who can stand toe to toe and pose a legitimate threat. With Wraith, not only can he cross swords, he can win. And often will. Wraith is like a darker version of the Watcher, a man garbed in cloaks and shadows, with his fighting instincts honed to perfection, and a reputation based on fear. For those who’ve read the Half-Orcs, here’s a tiny *spoiler*: he even gives Dieredon a run for the money, in what was an absolutely blast to write. /*spoiler* But creating a good villain is more than just giving a hero Bad Guy #237 to whallop, and I wouldn’t be so excited for you all to meet him if that were just the case. No, I’ve done a few other things, but this one’s the biggie: he’s a mystery villain.

Longtime readers should know I generally like my villains out in the open. I want Velixar by the fire, his seductive words making far too much sense. I want Thren hanging over everything, a dark specter dominating young Aaron Felhorn’s life. I want to watch Redclaw’s rise to power, and Arthur’s schemes play out piece by piece. But with the Wraith, his identity is a secret. For the first time, I get to play with red herrings, misdirection, and an overall sense of mistrust that just belongs in the Shadowdance Series. If there’s ever a book of mine that craves mystery, it’s this one. I promise you, I won’t cheat, and if you look closely,you just might figure out who’s face is hidden within the folds of that hood.

I’ve mentioned Arthur Hadfield twice now, and for a reason: the Wraith isn’t just a simple killer. Assuming I have done my job right, he’s one of the best manipulators I’ve ever created. I have four factions struggling against each other in A Dance of Death, and the Wraith is using them all. He’s got his aims, not that I’ll tell you, and no one is safe from him. No one can predict him. He’s Arthur, except he can traverse the rooftops, skulk in the shadows, and slaughter with his own hands. Best of all, he’s openly mocking the Watcher, challenging his every ideal, his every belief. This is the Joker staring at Batman, saying they’re the same, and slaughtering an entire city to prove it.

A Dance of Death should be the best of the series, returning to the large scope and politics of Cloaks, while retaining the manipulation and personal struggles in Blades. And holding it all together is the Wraith, his blade, and his ever present grin.

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Shadowdance Trilogy: Pack the Moving Vans?

So as release date for A Dance of Death gets closer, I thought I’d try doing a series of blogs rambling on about various parts of the story (while keeping spoilers to a minimum). For example, I won’t tell you who the villain is, but I will tell you that there’s a villain. I figure something like that isn’t exactly a big surprise. Hopefully this will get me in the habit of posting more often, instead of the once every three months like I have been.

First up is probably the biggest change between this book and the previous two: we’re leaving Veldaren, and heading to Angelport. Angelport is the port town in the far south, where one of the leaders of the Trifect (the Keenan family) hangs out, since they’re not too keen on Veldaren anymore, what with thieves running around like mad. So why the switch?

I want to really delve into what separates Haern from the rest of the thieves he hunts. What makes the vigilante killer better than the other killers? To do this, I needed to portray his actions in a new setting, with brand new rules to the game. Things won’t be as clear cut in Veldaren, particular when it comes to who’s on the side of right. Haern might have made some sense, some order in a place like Veldaren, but I want him to walk into a city far, far worse. If you thought the other books had shades of grey, well, you should be in heaven here.

Second reason was because I can’t have the specter of Thren Felhorn hanging over the book. He’s an awesome villain, and I wish I could give him the focus he deserves…but anyone who has read the Half-Orcs knows he’s still around in Cost of Betrayal. Hard to make him the capstone villain if there’s no real tension whether or not he dies. I have no intention of this being a comic book series, where after everything’s said and done a whole lot has happened yet nothing has changed.

Leaving to Angelport also lets me operate outside the familiar realm of thieves and Trifect, and introduce a whole different faction: the elves. When I first started Dance of Cloaks, I wanted a low-fantasy, just humans, and little magic. In Blades, I started to skew a little bit more on the magical side (but come on, I can’t have Tarlak running around and *not* fireball someone). With Death, I’m pulling back the magic, but budging a little on the no-humans. The thing is, I’m adding elves to emphasize the human elements. These elves are not just noble humans with pointy ears. They’re outsiders, strangers, hated, mistrusted, and responsible for a lot of deaths. And don’t think they’re going to automatically be on the side of right. This isn’t Avatar. I’m writing Dance of Death, not Dances with Wolves. This allows me to add in all sorts of racism and intrigue I just can’t do in Veldaren.

Oh, and for longtime readers…a certain Scoutmaster makes a cameo. I can’t help myself.

Overall, the new location helps remove any sense of ‘been there, done that’ I was worried this third book might fall into (hey, Haern’s killing more thieves, *yawn*). I get to introduce some new factions and leaders, such as Lord Ingram, the elves, and the Merchant Lords. Even members of the Trifect, such as Alyssa and Laurie, find themselves at odds. There’s a lot of pieces to juggle, but I’ve tried to return to the barely controlled chaos of Cloaks, and here in Angelport, we’re going to spill a lot of blood.

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Horror?

I’ve had a few people ask if I have/will write something non-fantasy, mainly after they’ve read A Land of Ash. Well, I’ve dabbled in horror, but really only in short stories. I’ve been featured in several different collections, and I figured I’d make a quick post highlighting ’em in case anyone wants to hunt them down and take a look.

First up, The Lake and 17 Other Stories:

The Lake is a collection of short stories and drabbles by a fantastic friend and author, David McAfee. At the end is a story of mine titled One Last Dinner Party, which later became the impetus to write the entire Land of Ash collection. The story itself is about the end of the world, and how a small group of southerners deals with its approach the best way they know how: by throwing a dinner party. Great set of stories, great price, and worth reading just for Exhibit A alone.

Next up: McAfee’s sequel to the lake.

Devil Music is a similar set of collections, including some follow-ups to some, such as Exhibit A, from the Lake. By request, I contributed another story, this one titled Locked and Locked Again. Consider it my attempt at doing a Cthulhu-esque type story, with a tiny, tiny bit of the absurd. A college student’s been given a chest, and told never to unlock it. He does anyway, and after seeing the horror inside, he’s got to do everything he can to keep it shut…

Now for something on the sillier side:

Lessons III is Michael Crane’s third collection of drabbles, which in case you’ve been wondering what those are: they’re crazy short stories with the strict rule of being only 100 words long. Can you tell a story in that few a words? Oh yes, yes you can, and Michael’s gotten pretty good at it. On a whim, I cranked out my first ever drabble, and Mike seemed to enjoy it. It’s titled Family Favors, and in it, I basically kill someone who looks/acts remarkably by Lady Gaga. But it’s not. Really. I swear. And it isn’t me, but a brother and…well, just read the story.

Last, a collection by that Rob guy who writes those amazing fanboy reviews on Amazon:

The Gate features thirteen short stories (no drabbles here), all with a sci-fi or horror bent. My story is titled Kitty in the Cellar, and is about a girl getting revenge on two boys who always pick on her by locking them in the cellar of an abandoned home. But there might be more than just pickle jars down there. Rob’s story the Gate is also pretty damn good, especially if you like untrustworthy narrators in space.

If I remember correctly, all four are available for just $0.99, so if you want to try out a little bit of  horror, and get some great stories, all three are solid collections. (Oh, and in case anyone asks: yes, I’m still writing Shadowdance #3, and yes, I’m still expecting it to release Nov 1st, or close to it).

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